Post - stasis
It was fun attending Simon Reynolds talk about "Retromania" down at Unsound Lounge the other week.
While I haven't read all of it, the book's implications are worth considering.
We have been engaged enjoying the accelerated 'unearthing' and retrying of old genres, esp. from late 1990's into 2000.
We can remember before then there was never much prospect or any dream that say, Ike Yard would be rereleased.
Ike had made it's music, had dozens, maybe hundreds of listeners in it's time.
Once IY got onto the Gomma "Anti NY" compilation- along with Death Comet Crew , things did pick up.
Dominatrix melodies had been recreated by Puff Daddy and compiled on Tommy Boy's "Perfect Beats" and Weatherall's Nuphonic "Nine O'Clock Drop", sampled but unlicensed by Carl Cox ( "Tonight" F.A.C.T comp.).
It has been reused many times and forms so I was not too surprised when I heard "Dominatrix" by DJ Hell while shopping in the record shop that used to be on North side of 14th St.
The guy working at the store told me i should be grateful Hell sampled my record.
More people looking through the web finding trace of more underknown , certain unknown music = the next waves of rereleases across recombinating spectrums of music
As everyone today deals with information and data, data deals with them.
And as every specific style or sound from a past music decades on instant access, some are bound to be obvious about how they use it.
What i picked up on from Simon's talk were some larger issues about 'What good is the past ?" and "If putting everything into the blender and spitting out unchanged bits of the past is what we have now, where does this lead ?".
Currently in the US we have not only a country of 'Haves' and 'Have not's',
but increasingly a society of "Know something's" and "Know nothing's".
Civil Wars, separation of Church & State, attempts at redefining evolution, distrust of trended into active fighting of science -
all part of the low level war and burn among citizens, idea groups, Ngo's and politicorps.
Some people don't want to know or face reality.
The country is a street lab deep in some future shock and also partially third wave.
Every country, nation state, person is in the situation to some degree.
Who and what is 'Constructive' or 'Destructive' in our world as we survive tectonic shifts and financial crash and crunch to come ?
The waves of change come and they pass on to the next, next thing.
We enjoy a sound, a group or music secret that only you and maybe some friends know about, see music delivery formats go out of production and brought back decades after.
That information you decide to hold onto, project yourself onto or against and carry with holds value one can continue sifting, sleeping on it and synthesizing.
Building on unfolding events including ' Revolution' protests in Iran, across the 'Arab Spring' and within the past 2 months - Occupy Wall Street here synthesized free running discontent, societal threads, trend to update protest as can be done by a global horizontal free flowing org. They may not really need to sleep in the cold in Zucotti Park anymore. Too easy a target for the Right. NYPD w Sonic cannons.
Especially during and after economic collapse, cultures change. Music changes.
There is always a new underground, seething enough and bursting out sparks that just sometimes flame.
SA
While I haven't read all of it, the book's implications are worth considering.
We have been engaged enjoying the accelerated 'unearthing' and retrying of old genres, esp. from late 1990's into 2000.
We can remember before then there was never much prospect or any dream that say, Ike Yard would be rereleased.
Ike had made it's music, had dozens, maybe hundreds of listeners in it's time.
Once IY got onto the Gomma "Anti NY" compilation- along with Death Comet Crew , things did pick up.
Dominatrix melodies had been recreated by Puff Daddy and compiled on Tommy Boy's "Perfect Beats" and Weatherall's Nuphonic "Nine O'Clock Drop", sampled but unlicensed by Carl Cox ( "Tonight" F.A.C.T comp.).
It has been reused many times and forms so I was not too surprised when I heard "Dominatrix" by DJ Hell while shopping in the record shop that used to be on North side of 14th St.
The guy working at the store told me i should be grateful Hell sampled my record.
More people looking through the web finding trace of more underknown , certain unknown music = the next waves of rereleases across recombinating spectrums of music
As everyone today deals with information and data, data deals with them.
And as every specific style or sound from a past music decades on instant access, some are bound to be obvious about how they use it.
What i picked up on from Simon's talk were some larger issues about 'What good is the past ?" and "If putting everything into the blender and spitting out unchanged bits of the past is what we have now, where does this lead ?".
Currently in the US we have not only a country of 'Haves' and 'Have not's',
but increasingly a society of "Know something's" and "Know nothing's".
Civil Wars, separation of Church & State, attempts at redefining evolution, distrust of trended into active fighting of science -
all part of the low level war and burn among citizens, idea groups, Ngo's and politicorps.
Some people don't want to know or face reality.
The country is a street lab deep in some future shock and also partially third wave.
Every country, nation state, person is in the situation to some degree.
Who and what is 'Constructive' or 'Destructive' in our world as we survive tectonic shifts and financial crash and crunch to come ?
The waves of change come and they pass on to the next, next thing.
We enjoy a sound, a group or music secret that only you and maybe some friends know about, see music delivery formats go out of production and brought back decades after.
That information you decide to hold onto, project yourself onto or against and carry with holds value one can continue sifting, sleeping on it and synthesizing.
Building on unfolding events including ' Revolution' protests in Iran, across the 'Arab Spring' and within the past 2 months - Occupy Wall Street here synthesized free running discontent, societal threads, trend to update protest as can be done by a global horizontal free flowing org. They may not really need to sleep in the cold in Zucotti Park anymore. Too easy a target for the Right. NYPD w Sonic cannons.
Especially during and after economic collapse, cultures change. Music changes.
There is always a new underground, seething enough and bursting out sparks that just sometimes flame.
SA
Labels: Retromania, Simon Reynolds, stasis, the future, the past, Toffler, Unsound Lounge
posted by SA at
10:51 AM
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